Genre Short-list
- Drama
- Horror
- Action
City Of God- As there is an
enhancement in technology,
studios are able to make more
visually appealing title openings.
Titles using animation or motion:
- Became popular in 1990
- Titles themselves became part of the main image and are integrated together with the images we see
- However, it requires a lot of digital technology and stylized editing
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- Titles on black screen; as you can see from the gif, titles on black screen are widely used through out the whole title sequence. Not only is it used alone but it is used with some of the visuals. I think this is intentional because it allows the audience to be both informed and entertained. It allows the audience to make a link with the visual material and the title. For example we see Brad Pitts name on a black screen and at the same time a snippet of the movie location. (urban) almost like a split screen.![]() |
| BFI STATISTICAL YEARBOOK |
The title of this movie is introduced in the 59th second. And when it is introduced, we come to see a sea/lake and a boat moving (the place seems very quiet) The title Gone Girl is then blended with the blue sky which makes it a play on words in a sense; the title is going- blending into nature. This is backed up through some of the screen shots of the setting. It seems very quite and serene. This make the setting seem calm and peacefully. Whilst this is going on, the cast, producers and actors are presented in white - which also connotes purity, serenity, innocence which further signifies the idea of peacefulness. We are then introduced to the protagonist where he is emptying the bin, looking miserable.
Hes work involves over 100 film title openings. Another memorable title sequence is Dawn of the dead. He believes that a good title sequence is only good if it makes the audience worry and ask questions, set an expectation - a form of escapism, forgetting everything else and focus on that very moment. This will make the audience excited. He also believes the process of dovetailing where the credit sequence and movie are somehow connected/joint.
Director Jean Jacques Beineix believed that a consumer watching a film has to 'accept the wait' and 'nurse, nurture your desire to make it grow, then the satisfaction comes'- this simply means that the beginning should not provide instant arousal and it should give the film time to help reach its climax. With this, he also criticised the process of instant arousal and stated that audience may ask to many questions. Where do you go after making the first section interesting? What's next? He thought that it raised too many questions.
A classic opening is when a film begins with a establishing shot- then close up of a building- camera goes up to a building to a window- then into the window- past the receptionists desk- then to a private office and then... sat there somebody. This is the type of opening that establishes tone - enabling the audience to make early adjustments to what this kind of movie is going to be. Is it going to be a comedy, something that will make the audience scream- this type of thing puts the audience on the same wavelength as the producers. And it always depends on how its presented. The idea that the camera 'slowly' mounts up the building could illustrate that its going to be a slow story and makes the audience enter their comfort zone. This type of opening in a way informs the audience. It shows the viewers 'where' the film is taking place the 'occupation' of the hero or protagonist and this almost puts everything in place. Makes the movie seem more rational and solid.
Why is Kyle Cooper's title sequence to the film Seven so effective?
What is meant by "a favourite trick of Film Noir"? What is the trick?